Suburbia - Set in a nice neighborhood with white picket fences (Red button: UFO comes and sucks of zombies).Graveyard - Well this makes sense (Red button: "God Ray" aka.Wood - Your typical dark scary woods setting (Red button: Makes it rain which slows the zombies).The best example would be the 'Secret Lab' map. Also the beginning levels also provide lots of cover and blockades to slow the zombies, but as you progress that is virtually gone. Each of these maps get progressively harder because in the beginning the maps have flammable objects around the map to help set the zombies on fire, but in the later levels there are none. The first available level to the player is the Woods and in order to gain access to the other levels the player must achieve a set score to achieve a bronze medal. This adds a whole new level of difficulty to the game and requires much more careful style of play.
Though on normal you are able to take several hits before you die. Essentially they are the same except for one big detail and that is if you are hit once by a zombie on extreme you die.
There are also two difficulties one can play on, which are normal and extreme. Though if you and your partner can make it to 1 million points you each will get another life and this continues for each 1 million points you reach. Each player will have 3 lives and if either player runs out of those 3 lives the game will be over.
#Burn zombie burn review free
There are several different game types available to play that include your basic Free Play, Survival, Daisy Defense and Timed. The second player plays as Bruce's brother Bruno who is the exact same character model expect he has a different shirt, blonde hair and a gnarly handle-bar mustache. Each map has its one unique event that is specific to that level.Īlong with the single player there is also a co-op mode that is played split screen and can only be played locally. If you achieve 3 of these combos this will allow you to press a large red button which triggers an event to help you kill the zombies. You will also occasionally encounter super zombies which are extremely large zombies that have some very entertaining attacks such as a flaming fart.Īs you kill zombies you will gain combos, mostly with weapons. This is also paired along with the fact that more zombies spawn in each wave. Burning zombies!Īs you progress through the waves of zombies gradually you will begin to encounter different types of zombies. Though when zombies are set on fire they will move quicker and will only drop speed boosts and TNT upgrades. Zombies that are not set on fire will drop power-ups such as health, TNT, speed boosts and TNT upgrades. The more zombies that are on fire the larger the multiplier will be when a zombie is killed, but with this greater reward comes greater risk. For each zombie that is killed the player will gain points, but to maximize the amount of points achieved when killing zombies they are to be set on fire. You play as Bruce a dude with a huge chin, some funky hair and a sweet flame shirt. With a cheeky pout and raised eyebrow, it is impossible to know where Burns stops and Cumming starts, as he gives rugged texture to the poetry and maverick life to an imperfect national hero.Īt King’s theatre, Edinburgh, until 10 August.This is an arcade styled video game that sits on the premise of killing wave after wave of a variety of zombies. The Burns he presents is a man of the soil earthy, lusty and impulsive. On chairs that seem to sink into the floor, he arches his back and makes himself weightless.Ĭreated by Cumming and Hoggett for the National Theatre of Scotland, Burn feels like an art installation, the constituent elements of sound and light building a dynamic setting for the tale of the ploughman who made good with his rhymes without ever escaping the fear of poverty. When ingratiating himself with the well-to-do of Edinburgh, he skips into something like a Highland dance against the formidable pulse of Anna Meredith’s Nautilus. The floorboards are distressed and colourless, a single desk and pile of discarded paper his only company on a desolate stage backed by Andrzej Goulding’s austere video, displaying dates, locations and a galloping ghost of a horse.Ĭumming, with lank hair and black eyeshadow, matches gestures to words, punctuating his run-through of the life of Burns with hand movements, swoops and stretches. His arrival signals an end to a storm, but the stripped-back set by Ana Inés Jabares-Pita remains bleak and monochrome. We see him first, arms outstretched, as Tim Lutkin’s back lighting picks out the contours of his biceps that ripple like the undulating waves of light spilling across the auditorium.
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